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5 Spielberg 'Flops' That Time Turned Into Total Classics

Box office disasters, critical drubbings, one director who couldn't stop learning from them โ€” Spielberg's most-hated movies became some of his most-loved.

5 Spielberg 'Flops' That Time Turned Into Total Classics
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1

The Comedy So Chaotic Even Kubrick Told Spielberg To Sell It As A Drama

1941 (1979) โ€” the flop that became a cult curiosity
1941 (1979) โ€” the flop that became a cult curiosity
Spielberg, before he learned his "greatest lesson"
Spielberg, before he learned his "greatest lesson"

<cite index="3-2,3-3">"1941" went on to become a modest box office success, taking in $94.9 million on a $35 million budget, but it was not well received, with critics mixed at best.</cite> <cite index="4-15,4-16,4-17">Stanley Kubrick himself told Spielberg point blank: "Saw your movie, 1941. It was great, but it wasn't funny. You should have sold it as a drama."</cite> Decades later, defenders now call it <cite index="5-3">"an unfairly maligned and misunderstood gem in the career of one of the most successful filmmakers of all time."</cite>

2

Critics Hated It. Millennials Made It A Religion.

Hook (1991) โ€” panned then, a cult staple now
Hook (1991) โ€” panned then, a cult staple now
Robin Williams as Peter Pan, all grown up
Robin Williams as Peter Pan, all grown up

Rotten Tomatoes' brutal consensus on "Hook" reads: <cite index="10-28">"The look of Hook is lively indeed, but Steven Spielberg directs on autopilot here, giving in too quickly to his sentimental, syrupy qualities."</cite> It still <cite index="10-13">became a commercial success and the fourth-highest-grossing film of 1991, though it failed to meet the studio's expectations</cite> because it got overshadowed by "Beauty and the Beast." Now? <cite index="11-23">Twenty-five years later, Hook is possibly the most beloved Spielberg movie among Millennials.</cite>

3

The War Epic Everyone Praised And Almost Nobody Bought Tickets For

Empire of the Sun (1987) โ€” a box-office underdog
Empire of the Sun (1987) โ€” a box-office underdog
12-year-old Christian Bale, before he was Batman
12-year-old Christian Bale, before he was Batman

"Empire of the Sun" got glowing reviews but <cite index="24-31,24-32,24-33,24-34">initially failed to recoup its lavish $25 million budget, falling $3 million short of breaking even domestically, though it was redeemed by over $44 million internationally.</cite> Rotten Tomatoes now calls it <cite index="21-18">"one of Steven Spielberg's most ambitious efforts of the 1980s" and "an underrated gem in the director's distinguished filmography."</cite> It also happened to launch a very young Christian Bale, whose performance is still called one of his best.

4

The Ending Everyone Argued About In 2001 Is Exactly Why Critics Love It Now

A.I. Artificial Intelligence (2001) โ€” the reassessment is real
A.I. Artificial Intelligence (2001) โ€” the reassessment is real
Haley Joel Osment as David
Haley Joel Osment as David

Reactions to "A.I. Artificial Intelligence" split hard at release โ€” Roger Ebert called it <cite index="41-1">"audacious, technically masterful, challenging, sometimes moving, ceaselessly watchable,"</cite> while the original story's author, Brian Aldiss, simply said <cite index="41-1">"It's crap."</cite> It also <cite index="41-5">just missed earning back its $90 million budget domestically, though international audiences added $150 million to the worldwide total.</cite> The reassessment has been dramatic: Ebert later gave it a fourth star for his Great Movies archive, and <cite index="43-18">critic Mark Kermode publicly apologized to Spielberg in 2013 for "getting it wrong" when he first reviewed the film in 2001.</cite>

5

Spielberg's Own Version Of E.T. Somehow Became One Of His Biggest Bombs

The BFG (2016) โ€” the box office bomb nobody expected
The BFG (2016) โ€” the box office bomb nobody expected
Mark Rylance as the Big Friendly Giant
Mark Rylance as the Big Friendly Giant

Variety didn't hold back on "The BFG," writing that it <cite index="33-1">opened to an anemic $19.6 million and was shaping up to be one of the biggest flops of Spielberg's career, rivaling 1941.</cite> The final tally was rough: <cite index="39-17,39-18,39-19">it topped out at $55.8 million domestically and $178 million worldwide after costing $140 million to make, losing an estimated $90 million to $100 million for Disney, Amblin, and Participant Media.</cite> The reviews were actually decent at the time โ€” it holds a respectable 74% on Rotten Tomatoes โ€” and its warm, whimsical reputation has only grown since as a quieter, gentler entry in the Spielberg canon.

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